M*A*S*H*

Saturday marked the 50th anniversary of the 1972 series premier of M*A*S*H*, a show I watched religiously on first-run and re-runs beginning around 1978-or-so through the 1983 finale (still the highest-rated non-sports television show) and beyond. I am sure I have seen every episode at least 5-10 times. I pop-in on it on MeTV every so often; I can identify most episodes within about 5 seconds. It has not aged well in many respects, although as a former show writer pointed out, it takes place in an Army camp in the middle of a war in the early 1950s; of course the behavior taking place there is unacceptable in 2022.

Many of written about the show's change in tone over 11 seasons; the process began with the cast changes in the fourth season (replacing the commanding officer and second-banana doctor with more serious and fully formed characters) and accelerated over time the final eight seasons. Much of this focuses on the show's anti-war attitude becoming more text in many of the stories, the show becoming what we now would call a "war dramedy."

Here is a different way in which the tone change presents. I can think of three story lines the show repeated, in whole or part. The first time, within the first three seasons, it was played mostly for laughs, without getting into depth or nuance or considering the bigger picture or issues; the second time, sometime later in the run and with new characters, the show took the issues seriously and considered broader ramifications.

Consider:

    • Conducting fake surgery. White Gold (Season 3) Hawkeye and Trapper slip something into the drink of Col. Flagg (a recurring military-intelligence officer played for dry laughs) to mimic symptoms of appendicitis and remove his appendix; they want to stop him from taking medical supplies to trade for information. Preventative Medicine (Season 7) Hawkeye does the same to a reckless commander who is causing casualties in absurd numbers, but B.J. objects and refuses to participate in a violation of his oath. The button on the episode is more wounded coming in and that removing one cause of death and destruction in war does not stop the larger toll of war.

    • Summary Executions. Officer of the Day (Season 3) Col Flagg (he's back) wants the camp to release a wounded North Korean guerilla so he can execute him in Seoul; Hawkeye and Trapper sign-off at gunpoint, then sneak Klinger (whom Hawkeye had promised a trip to Seoul) into the ambulance. Guerilla My Dreams (Season 8) A South Korean officer wants the camp to release a wounded woman, whom he says is an enemy guerilla; the officer has a reputation for torturing suspects. Hawkeye et al resist and try to sneak her out of camp, only to have the Korean soldiers stop them at gunpoint and take the woman away. The woman speaks of how she hates the American soldiess and would gladly kill all of them.

    • Adopting war orphans. Kim (Season 2). A wounded, seemingly orphaned little  boy, is brought to camp. Rather than send him to an orphanage, the camp keeps and cares for him for a time, prompting Trapper to decide to adopt the boy; the process of doing so is presented as relatively simple. (The mother is found at the end). Yessir, That's Our Baby (Season 8). A baby (the child of a Korean woman and American G.I.) is left at the camp; they try to get her sent to the U.S., but no one (Red Cross, Army, South Korean government, State Department) will cut through red tape and work with them. At one point they raise the issue of adopting her and are told "not a chance." Because the child is half-American, she cannot be placed in a Korean orphanage; they leave her at a monastery.

This is not a comment on which is "better." Only that it illustrates how the show evolved and became more complex over time.