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Monday, December 05, 2005
Dear Santa: Please Send J.J. Abrams a Copy of "The Wisdom of Crowds"
May I stray away from the law -- kind of* -- for a second, and talk about why Lost is ticking me off so much these days?
Take this situation: a relatively small, certainly manageable, number of people is stranded on an island. They have among them a variety of skills and talents. Aside from all the usual travails of survival, it becomes clear to them, both individually and as a group, that the island is...unusual. For one thing, it's not a "deserted" island: it's inhabited, and the mysterious inhabitants are lethal. They discover evidence of some bizarre experiment, program, what have you on the island. Moreover, individual members of the group have seen and experienced things that seem to defy reason and that often turn out to have important implications for the survivors and/or to be connected to other relevant facts or experiences. This has become fairly clear to many of the individuals in the group.
Now, one thing such a group would need is a leader, and there at least a couple of those within the group. But another thing the group would want to do is pool and aggregate its freaking information! Leadership sometimes requires decisiveness; but the better the information on which the leader is drawing, the better his or her decisions are likely to be in urgent situations. And many non-urgent situations arise in which the group does have an opportunity to pool and sort through disparately gathered pieces of information, deliberate, and come up with some aggregate sense of collective wisdom. The more counterintuitive aspects of these points may require some specialized knowledge of social psychology and so forth; but just about any moron stranded on a mysterious and sometimes lethal desert island would, at some point, wake up to the idea that it's useful to share information. ("Folks, Shannon and I saw Walt before she died. I know that sounds crazy, but having already seen a polar bear I'm inclined to share this information with the group. Any thoughts? Anyone else had anything strange happen to them?" "Uh, yeah. I couldn't walk before we crashed." "Interesting. Thanks for sharing.") Granted that some of these data points would seem incredible (say, the whole walking thing), and so draw skepticism; but even a rational individual would at some point want to draw some conclusions from the repeated evidence of the independent experience of many observers -- and all the more so given the high fatality rate on the island.
This stupidly obvious fact seems to elude the survivors on Lost time and again, and it is beginning, as should be evident by now, to drive me nuts. I absolutely reject the argument that this is necessary for the sake of the storyline or to preserve dramatic tension. Cliches are not ultimately great aids in maintaining dramatic tension, and the old character-failing-to-communicate-a-basic-fact-in-the-face-of-all-logic-and-reason trope is a commonplace on TV. (I'm a big Buffy fan, but this was a sadly common feature on that show.) Indeed, what makes the suspension of disbelief so possible on a show like Lost, when it's at its best, and what makes it compelling, is that it puts believable characters, acting believably, in an unbelievable situation. If someone doesn't call a group meeting pretty soon, I'm going to put my boot through my TV screen.
* I say "kind of" because much of my work these days, and much work elsewhere in the legal academy, has involved thinking about the relationship between group decision-making and the law, whether in corporate governance or in broader constitutional law issues such as freedom of association or separation of powers. So, once again, primetime TV is a superb vehicle for thinking about cutting-edge legal scholarship, and no time spent "vegetating" (hah! if they only knew -- we're actually "ruminating" and "interrogating") in front of the so-called "idiot box" (another terrible misnomer -- it is in fact a "site" for "exploration" of important issues) is wasted time.
Posted by Paul Horwitz on December 5, 2005 at 12:59 PM in Culture | Permalink
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Comments
Another issue is that it is really hard to resolve a mystery in a satisfying way. A mystery is intriguing because there are numerous potential resolutions it is compatible with, but no one outcome is entailed by or fully consistent with what we know. Every disclosure that reveals something important (e.g. the "monster" is not an animal) reduces the number of potential resolutions (the island is populated with dinosaurs), thus reducing the intrigue. Not providing any information at all, however, would get boring really fast.
One short-term fix for this problem is to distract viewers by piling mysteries on top of each other, and to dole out only so much hard information as is absolutely necessary. The exact same technique was employed -- and abused -- on the X-Files. In the X-Files, you had ridiculous moments where Mulder would be in the presence of someone with knowledge and instead of pressing for detailed information, he would settle for vague generalities. On Lost, no one has yet to press Rousseau for information about how she came to be on the island, where the transmitter is, who the Others are, and what else she's seen in 16 years. On both shows, this was tolerable for a season or two. But the game of replacing mysteries with other mysteries, and never providing any real resolution, is only a temporary fix. Eventually Lost needs to start providing some real answers, or I'll stop watching. The trick is, if they explain everything, the show will be over, and again I'll stop watching.
Greg, I think it's too early to conclude Lost is headed for the same perpetual spin cycle the X-Files entered, but that's the danger. (See the bottom paragraph of this page for the moment that ended my X-Files habit.)
Posted by: Bruce | Dec 7, 2005 5:52:06 PM
Originally, when I saw the first season, I didn't think Lost was another version of the X-files. Now I do. After Season 7, we'll get a deeply unsatisfying story about how the Island is an alien artifact or something. I'm telling myself that so I won't be disappointed. X-files was still good after the writers realized it had jumped the shark- Lost might be too.
Posted by: greglas | Dec 5, 2005 10:33:25 PM
Both interesting comments. Obviously, there are all kinds of reasons -- with syndication being at the very top -- to stretch out the length of a series run. But I wonder whether it wouldn't be a good idea for more studios to plan in advance for a run of just long enough to hit the syndication mark. I don't mean this in a very deep way because I'm not sufficiently versed in syndication economics; I gather that who owns the series has much to do with these questions. I would observe that the success of DVD runs and the possibility of showing the series on cable may obviate the syndication incentives. But I think a series run with a built-in obsolescence would allow for casting of bigger names, who know they're in for a limited run; allow for more character deaths; and give the writers a chance to plan a meaningful and finite dramatic arc. As for Wasteland Fan's comments, I think they're great points, and certainly I agree that Locke's non-disclosures are more or less consistent with his character, taken in isolation. But I am less convinced that the characters -- perhaps even Locke -- would not collectively learn from experience the merits of aggregating information, and I think less of this has visibly (or invisibly)occurred than would be merited by the circumstances that have occurred.
Posted by: Paul Horwitz | Dec 5, 2005 6:17:42 PM
I don't necessarily disagree with you on the whole and I agree that it is important to the sustained credibility of the show that the characters react believably in an unbelievable situation. I'm just not sure I understand where you're directing your frustration.
You've given two examples of information that hasn't been widely shared (e.g., that Locke didn't used to be able to walk and that Sayid "saw" Walt). Regarding the former: That seems completely consistent with Locke's general approach to information . He doesn't share information. For example, he tried to hide the hatch for as long as he could. He didn't tell everyone when he knew Walt had torched the first raft. He hasn't shared information regarding Charlie's pilfering of the heroine. He presumably has information about the monster that he hasn't shared . . . he's been up close and personal at least twice. So, I think his consistent practice of guarding information and obfuscating is "believable" so far. We don't know his precise motivation, which to me is an interesting character quirk that I'm willing to be patient to see play out. So far, though, I find Locke's consistency in this regard not cliche, but fascinating.
The latter example (Sayid seeing Walt), I think, reflects an impatience on your part with the pacing of the show. It's been less than 24 hours since Shannon was killed. Sayid did, in fact, disclose to Charlie that he "saw" Walt. I don't find it particularly problematic that he doesn't confess his love for Shannon at her funeral in one breath and then engage in a let's-get-to-the-bottom-of-these-island-mysteries-hey-by-the-way-I-saw-Walt group meeting in the next.
On the other hand, there has clearly been some group information sharing that has occurred to which we've not been privy (not surprising, given that the exposition would be pretty boring). For instance, it appears everyone has been told about the hatch and its contents, Desmond, and the Black Rock.
I would expect to see signs that the tailies have shared their experiences with the fusies soon and vice versa. But, again, it's still only been about a day since the two groups have integrated.
So, I'm wondering what other information you're thinking should have been pooled and aggregated at this point that hasn't been (taking into account how long these people have known each other and the deliberate pacing of the show).
(In addition, I think you want to send your message -- and the copy of "The Wisdom of Crowds" -- to Carlton Cuse and Damon Lindelof, the day-to-day showrunners, not Abrams, the creator/executive producer. If you go to IMDB, you'll see that Abrams hasn't had a writing credit since the pilot episode.)
Posted by: Wasteland Fan | Dec 5, 2005 4:44:19 PM
I think you're right. The problem is that Lost is a one-trick pony. Aside from the mysteries about the Island, there's not really too much interesting going on in the show. The characters and their mysteries are sort of interesting, but they aren't something that would drive the show in the absence of the Island thing. And now, after the show's initial success, ABC is trying to draw out an excellent 3-season show into a sub-pary 8 season show.
Posted by: Jeff V. | Dec 5, 2005 4:22:17 PM
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